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Beetle by Nicola Hicks One of the most striking At-Bristol commissions is Beetle by Nicola Hicks which draws people into Anchor Square as they cross Pero’s Bridge and come into Harbourside.
Nicola Hicks’ modelled Beetle, like many of her works, out of plaster and straw, which gives the piece a sense of immediacy, and a tactile quality which invites interaction from the viewer. The scale of the piece immediately brings into stark reality why the Rhinoceros Beetle is so named. It is a magnificent insect - the males engage in battles over breeding rights, using their jaws or horns to wrestle the opponent, often piercing each other’s armour in the process. A life-size model can be seen in Wildwalk. Born in London in 1960, Nicola Hicks has pieces in private and public collections in Britain and America. In response to a question about why animals are so important to her work she responded: ‘Animals are the stuff of life. When I make a sculpture it’s done because I have something to say about my experience. My only experience is living. Maybe it’s because we are a little less familiar with beasts that I’ve chosen to use them… The most precious qualities that humans have are the ones what we share with animals: the qualities we are deeply in touch with subconsciously and maybe totally out of touch with in our conscious state. We are all in tune with ourselves and we’re all in tune with every species living on the planet. including plants. We are all in tune with the same things. We’re all in tune with survival. Human beings spend a lot of time denying it and battling with their intellect.’ |